Since I almost have a thousand pageviews, I decided to celebrate with a little cartoon. This is a little remake of something I did before. A female ninja (Kunoichi) uses a magic scarf to bolster her stealth but it causes her to inflate.
I understand it's not that great. If anybody has any tips for drawing or photoshop, I'll be happy to hear them. I'll try to make the next one better than this.
Use shading. It will help a lot with showing the depth of the character. Otherwise, everything will look flat, and I hardly think that's the look you're going for.
And make sure you're using layers, if you haven't yet discovered them. I went a while without figuring out something that basic, and felt like an idiot for doing things the hard way. Layers will allow you to keep certain colors or objects seperate from everything else, so you can make changes and alter things without having any mistakes affect the entire picture.
I would suggest working with thinner subjects first. It may not be the sort of thing that you're interested in, but underneath that spherical girl is basic form and bone structure. It seems like a lot of WG and inflation artists start with a slender model, and then work on top of that. The bigging model has some things wrong with her, such as her arms being too short, etc, so you might want to start working there, first.
Although it is nice that you make a story with your art. It adds a lot to it, I think.
I use GimpShop, but they work basically the same. I make a new layer above the color that I'm going to be shading, and will adjust the brightness of the base down until it's darker, but not completely black. I use an airbrush will low pressure and rate. Make sure you determine where the light source is coming from so that you're consistant with the shading. I also typically add lighter shading where the light would directly strike the object, which is basically the same process (often on the same layer) but instead I start with the base color and then increase the brightness towards white (by about 20 on a 255 scale).
If you need to make sure that none of the shading goes outside the area, use the selection tool to select continuous regions, select the base color from the original layer, and then select the new layer on which you want to shade. Now when you draw, you cannot go outside the area that you laid down the original color. This is also nice if you want to shade using the paintbrush tool instead of the airbrush. I prefer the gradient from the airbrush, but the paintbrush would give you more distinct shaded regions.
If you want to add shine to something (like metal parts or eyes), brighten the color until it's almost white (almost nothing is a true white), or a bit towards the color of the light source (yellow for sun, red-orange for firelight), and then use the airbrush to make distinct regions of light. Like before, do this on a seperate layer. That way, you can keep erasing and redo-ing it until you find a method that looks good to you.
Besides that, just practice until you find a style and method that you like. If you have problems starting off, look at the shading of other artists here at dA to get a start of what light techniques you'd like to have in your own work.
I like how this came out it looks cute. as a tip for drawing I taught myself by watching anime and pausing the tape and drawing what I have paused. it helped me alot and once you have drawn a couple of things it begins to sink in. I hope that help any.
We want to know what love means to you!
Get your creative juices flowing and design a movie poster for "Paper Heart" that focuses on the theme "What Does Love Mean to Me?".
Below we have compiled a list of 101 tips to help you improve your photography. You may know some of them already but were confident that you'll find at least a few gems in there! Go get yourself a cup of coffee and make sure you are sitting comfortably!
Daily Literature Deviations is a group that is dedicated to bringing literature to the forefront of the deviantArt community. We attempt to accomplish this by daily featuring Literature artists from around the community that deserve the recognition, but are not getting it.
Each day we will feature 10 deviations from the Literature categories in a News Article. In order to support the artists that we feature, we ask that you the news article as well as check out the individual pieces. We understand that each day you may not be able to check out each and every one of the pieces, everyone has their own things going on. We just ask that you make an attempt to help support the growing Literature community.
Inspired by Trudi Canavan's "The Black Magician Trilogy" =liam-stock and =Staub-und-Schatten produced stock images with the theme "Black Magic" for you to bring fantasy and magic to life.
When it comes to community spirit, `Rushy is a shining example. From participating in devmeets, to providing positive encouragement to other artists, `Rushy can always be found demonstrating what it really takes to be a true deviant. It's without any hesitation that we are delighted to award the Deviousness Award for July 2009 to `RushyRead More
Devious Comments
Comments
--
I have this amazing trick you see, but I can only do it once, and when you aren't looking.
And make sure you're using layers, if you haven't yet discovered them. I went a while without figuring out something that basic, and felt like an idiot for doing things the hard way. Layers will allow you to keep certain colors or objects seperate from everything else, so you can make changes and alter things without having any mistakes affect the entire picture.
I would suggest working with thinner subjects first. It may not be the sort of thing that you're interested in, but underneath that spherical girl is basic form and bone structure. It seems like a lot of WG and inflation artists start with a slender model, and then work on top of that. The bigging model has some things wrong with her, such as her arms being too short, etc, so you might want to start working there, first.
Although it is nice that you make a story with your art. It adds a lot to it, I think.
--
Expansion Chatroom [link]
(All evenings recomended)
If you need to make sure that none of the shading goes outside the area, use the selection tool to select continuous regions, select the base color from the original layer, and then select the new layer on which you want to shade. Now when you draw, you cannot go outside the area that you laid down the original color. This is also nice if you want to shade using the paintbrush tool instead of the airbrush. I prefer the gradient from the airbrush, but the paintbrush would give you more distinct shaded regions.
If you want to add shine to something (like metal parts or eyes), brighten the color until it's almost white (almost nothing is a true white), or a bit towards the color of the light source (yellow for sun, red-orange for firelight), and then use the airbrush to make distinct regions of light. Like before, do this on a seperate layer. That way, you can keep erasing and redo-ing it until you find a method that looks good to you.
Besides that, just practice until you find a style and method that you like. If you have problems starting off, look at the shading of other artists here at dA to get a start of what light techniques you'd like to have in your own work.
--
Expansion Chatroom [link]
(All evenings recomended)
--
I am sofa king we tard ed
--
o_O
Everything's not as SQUARE as they used to be anymore...
Previous Page123Next Page